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A good combination of IP and Chinese painting and calligraphy
—IP Forum on Chinese Painting and Calligraphy and related exhibition successfully held in Beijing
By Kevin Nie, China IP
From December 13th to 18th, 2011, the “Intellectual Property Forum on Chinese Painting and Calligraphy & Chinese Contemporary Painting and Calligraphy Exhibition” was held at the World Art Museum of the China Millennium Monument by China Daily IP Weekly, IPR Channel of China Daily’s website and China Intellectual Property magazine. The theme of the forum was to “eliminate the false and retain the truth; inherit and pass on civilization; develop on the basis of innovation,” summarizing comprehensively the IP related problems that the field of painting and calligraphy is currently facing. In the keynote speeches, officials from the Copyright Administration Department of National Copyright Administration, Judges from IP Tribunals and experts and scholars in the IP field made speeches on China’s policies and regulations concerning the protection of works of painting and calligraphy, forms of artwork infringement, defined infringement, the legal application in typical cases and proposed effective routes for the continuous and healthy development of Chinese painting and calligraphy. The representatives of the artists mainly introduced how to discriminate genuine and fake artworks and offered their own unique perspectives into the present and challenging situation artists face in today’s artwork markets in China. Speakers also shared their experiences in the protection of rights for their own personal artworks with the audience. At the same time, they expressed how perplexing and difficult it was to protect their rights as well as their expectations for the future; offering suggestions for how laws and policies could be enacted, amended and enforced as remedial measures which would both simplify and strengthen their ability to exercise their IP rights.
Two roundtables were held in the forums: “Dialogue between Art and Industry” and “Dialogue between Art and Law.” The topics of discussion were “How to Purify the Artwork Market” and “How to Protect Intellectual Property” respectively.
Roundtable 2: Dialogue between Art and Law
Several senior lawyers from the Copyright Professional Committee of Beijing Lawyers Association, experts in the IP field, representatives of artists and representatives of the culture industry offered in-depth discussions and analysis on IP related problems in the process of artistic creation, exhibition, transaction and the auction of artworks, the identification and liabilities of artwork infringement, and the application of “Droit de suite” in China. (Droit de suite is a French term which refers to an artistic right which is recognized in some countries and permits artists or their heirs to receive fees after a “first sale” of a piece of art. Other countries, such as the U.S., reject this right and deem that an artist’s compensation rights end after the first legitimate point of “first sale” where the artist knowingly waives the right to future profits from the use of the artwork.) The speakers also discussed the future development of the organizations for the protection of artists, revision of the current Copyright Law, the exploitation of the copyright value of artworks and other issues relevant to the preservation of artistic rights and the integrity of the artistic market in China.
The exhibition displayed the works of more than 40 artists who are the most representative contemporary famous painters and calligraphers in China, including Shen Peng, Ouyang Zhongshi, Liu Dawei, Feng Yuan, Wang Mingming, Yuan Xikun, Yang Yan, Aixinjueluo Daojian, Cui Zimo, Moonlit Master, Li Jiacun, Qin Long, Ji Peili, Yang Xiukun, Wang Zhiyuan, Yin Guoyou, to name just a few. Among the exhibited works, many were new works of the artists which were on display for the first time.
(Translated by Snow Li)
Source: China IP Magazine
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